Cinerama Holiday was an unusual number one film. Hardly anyone has heard of it today, but it was a roadshow film specially designed to illustrate the benefits of the Cinerama format. The film depicted two couples on vacation- a Swiss couple touring the United States and an American couple touring Europe. While the format never really took off commercially, this film became 1955's number one film.
The Concession Stand
Friday, March 31, 2017
Thursday, March 30, 2017
#1 Film in 1954: Rear Window
Alfred Hitchcock's second #1 film was Rear Window. The film's salacious content straddled the border of what 1950's propriety would allow, but it still found itself at the top of the box office heap.
Labels:
#1,
#BoxOffice
Wednesday, March 29, 2017
#1 Film in 1953: The Robe
The Robe would further push the studios into the television era, making use of CinemaScope as a gimmick to show the sort of grandeur a television screen couldn't display. That the film showed a bible story was icing on the anti-Communist cake.
Labels:
#1,
#BoxOffice
Tuesday, March 28, 2017
#1 Film in 1952: The Greatest Show on Earth
1952 brought one of the most polarizing Best Picture winners ever- The Greatest Show on Earth. Widely believed to be the worst best picture winner ever, the schmaltzy film owed its success more to the anti-communism paranoia of the time than to its actual merit. Cecil B. DeMille was an outspoken proponent of the blacklist and made sure everyone knew it.
Labels:
#1,
#BoxOffice
Monday, March 27, 2017
#1 Film in 1951: Quo Vadis
MGM further set foot into the world of the epic with Quo Vadis, a Roman historical epic based on a fiction novel. Originally starring Elizabeth Taylor and Gregory Peck, the film was recast with Deborah Kerr and Robert Taylor after the film found a new home at MGM. Quo Vadis would further cement MGM's newfound success in lavish epics.
Labels:
#1,
#BoxOffice
Sunday, March 26, 2017
Saturday, March 25, 2017
Subscribe to:
Posts (Atom)