The Concession Stand

Showing posts with label #GrouchoMarx. Show all posts
Showing posts with label #GrouchoMarx. Show all posts

Tuesday, June 13, 2017

MGM Week: Leo the Lion Tames the Marx Brothers


 

Whereas most big Hollywood stars were created by the Hollywood machine itself, the Marx Brothers were already legends before they went out west to star in pictures. The Marx Brothers had already made a name for themselves in vaudeville and Broadway, having been encouraged from a young age by their parents to undertake artistic pursuits. They initially began as a serious act, performing music in opera houses. The brothers were extremely talented musicians who took their craft seriously. After Groucho improvised jokes onstage during an interruption by an audience member, the family decided to change their act to comedy, honing their legendary act on stages around the country.

 

Soon Hollywood came calling, hiring the brothers to translate their skills to films. Paramount was not the biggest studio around, but it was willing to allow the guys to film in New York and pretty much do whatever they wanted within reason. The brothers became a phenomenon, capturing the attention of MGM, the largest movie studio at the time. MGM went all out to attract the guys, promising just about everything except for full creative control. Since, as the saying goes, Chico needed the money, the brothers moved to MGM. Though they liked working with MGM executive Irving Thalberg, they weren't too enamored with MGM's factory filmmaking process. 

At MGM, it wasn't the talent that was king, but Louis B. Mayer. Actors were expected to do whatever they were told, the way they were told to do it. In the Paramount films, there was usually a snippet of a plot which just served as a vehicle to let the brothers do their schtick. At MGM, however, more importance was given to the co-stars and the B plot. Did anyone really care about the society matron that the brothers would inevitably offend or the young lovers who would eventually come together at the end of the film? MGM seemed to think so. When Irving Thalberg, who had been the biggest advocate for the Marx Brothers at MGM, passed away, the brothers left MGM for RKO, only to eventually return to MGM for three more films. They would mostly consider themselves retired until Chico persuaded them to make a two film return at United Artists. It turned out that Chico really needed the money.

While some of their biggest fans felt that the brothers were too restrained by MGM's strict system, Groucho himself felt that the Thalberg MGM pictures were the best of their films. Regardless, it is definitely easy to see the difference between the anarchic mania of the Paramount films and the more controlled factory polish of the MGM pictures.


Monday, January 30, 2017

First & Last: Groucho Marx


 

Julius "Groucho" Marx got his start in vaudeville, performing songs with his brothers. The act was unsuccessful, but eventually morphed into the comedy act that would eventually bring them worldwide fame. Groucho's first film in Hollywood was Humor Risk, a 1921 film that was believed to only be shown once. It would take eight years to get back on the big screen with The Cocoanuts. The film was an instant smash, mostly because Groucho and his brothers had already honed their act for years on the vaudeville circuit.

 

Groucho's last film would be an ignominious end to what had been an amazing career. He had been talked into coming out of semi-retirement by famed film director Otto Preminger to star in a 'today' picture that was meant to appeal to the 'way out' youth of the time. It was an embarrassing film for all involved. His final public appearance would be at 1974's Academy Awards. He would pass away in 1977.